Keeping going when the work goes quiet
Director Elena Marsh on the two-year stretch in the middle of every film when the footage isn't working and nobody's clapping yet — and the small rituals that got her through it.
A weekly show about the part of making things that nobody puts in the highlight reel — the doubt, the dead ends, and the work that finally clicks. Hosted by Nadia Reyes.
Director Elena Marsh on the two-year stretch in the middle of every film when the footage isn't working and nobody's clapping yet — and the small rituals that got her through it.
Director Elena Marsh on the two-year stretch in the middle of every film when the footage isn't working and nobody's clapping yet — and the small rituals that got her through it.
Furniture maker Marcus Bell on the years he undercharged out of fear, the order that nearly broke him, and how he learned to put a real number on slow, careful work.
Novelist Priya Raman on the drawer full of 80%-done manuscripts, the difference between a perfectionist and someone who's afraid to be judged, and how she finally shipped book one.
Founder Theo Nakamura on the launch that got eleven signups, the eighteen months of quiet that followed, and why the boring middle is where his product actually got good.
Short pieces — half-formed ideas, things cut for time, and the occasional rant.
New episode every Thursday — get it the second it lands, wherever you already listen.
Every Sunday: one idea from the week's conversation, expanded — plus what I'm reading, making, and second-guessing.
Beginnings get all the attention and endings get all the applause. The middle — where most of the actual work happens — gets nothing. The Long Cut is my attempt to fix that.
Each week I sit down with a maker — a director, a founder, a luthier, a novelist — and we skip the origin story and the victory lap. We talk about the eighteen months in between, when it wasn't working and they kept going anyway.
Before this I produced radio for a decade. Now I do this, from a small studio in Lisbon, with too much coffee and a microphone I'm sentimental about.
No network, no ad-read gymnastics. The Long Cut is funded by members who want it to stay honest. Members get the full back-catalogue, bonus tape, and the occasional voicemail.
Become a member · $6/mo